It’s easy and, in many ways, valid to critique the feminism of films like “Beauty and the Beast” in hindsight. Twenty-five years after its debut, young people are still watching the movie, soaking up messages of mixed value, while the social context has changed and plenty of movies with independent, baggage-free heroines are now available. Is the movie a feminist manifesto? That seems like a reach. Is it a poisonous bit of anti-woman propaganda? Unclear.
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