The New Centurions Tamil Pdf Download

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Original Title: The New Centurions

Genge: Action,Crime,Drama,Thriller

A group of new police recruits takes to patrolling the streets of Los Angeles. Roy Fehler is a law student with a family and has joined the LAPD until he can complete his degree. He's partnered with veteran patrolman Kilvinski and they soon develop a good rapport. On the street the policemen are exposed to the seedier side of life but Kilvinski is a fair cop and a good teacher. Over time however, Fehler comes to love the work and both his family and his studies fall by the wayside. Kilvinsky retires and Fehler loses his way, drinking heavily. Fehler's wife leaves him and he soon hits bottom. Just as he begins to get his life in order, fate intervenes.
An idealistic rookie cop joins the L.A.P.D. to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
Whether it's an exploitive early 70's crime flick with an underlying mainstream influence, or a mainstream cop movie that sporadically delves into a gritty no-nonsense peripheral, THE NEW CENTURIONS is an entertaining piece of cinema

After an opening credit montage of rookies – including Stacy Keach's Roy Fehler, Scott Wilson's Gus and Erik Estrada's Sergio – training at the police academy, we skip right to the chase well, almost. Your typical gruff sergeant (Dolph Sweet) is barking orders to a group of world-weary police officersAnd with a fresh rookie partner in tow, they enter into the dark Noiry streets of downtown Los Angeles.

At first, the centerpiece is George C. Scott's veteran cop Kilvinski, who, with his own implied "laws" aka philosophies of life, provides Roy exposition through random busts including bickering prostitutes and, cutting back and forth from Clifton James's Whitey paired with Gus, and Ed Lauter with former gang member Sergio, domestic dispute calls that wind up humorously reminiscent of a television cop show.

But there's a point where CENTURIONS, compared by Kilvinski as a new brand of Roman guard – equally hated and needed by that society like our own – kicks into second gear. Standout scenes include Scott Wilson's Gus gunning down an innocent man The IN COLD BLOOD actor's shocked/life-altering expression, as well as Estrada's Sergio explaining his backstory as a gang member reluctantly brought back to his hellish home town, make this more character-driven than action-packed.

Although noted as a vehicle for the Oscar-winning Scott, remaining the wise mentor till a gloomy retirement, the story truly belongs to Stacy Keach, whose character-arc from an idealistic rookie to a seasoned cop to a reluctant vice squad officer to a hopeless drunk is underlined by the dwindling relationship with his wife and child: the domestic scenes border on melodrama but never take away from the gritty mainline We always promptly return to the streets.

Based on a novel by former lawman Joseph Wambaugh, insightful glimpses outshine the sporadic cinematic clichés, and a few scenes would be considered politically-incorrect to modern audiences. But underrated director Richard Fleischer whose eclectic hit/miss career labeled him more of a talented hired hand than creative auteur using his signature grainy film stock makes even the lighter moments look and feel completely intense and (despite a tacked-on conclusion) jarringly unpredictable. Richard Fleischer is arguably one of the most underrated American directors.He tackled almost all the genres and almost always succeeded,except in his last years (roughly from "Ashanti" on).The detective movie was always one of his numerous specialties.It's a long way from the (often remarkable) first works ,such as "the clay pigeon" and "follow me quietly" to the psychological thrillers ("compulsion" ) to the stunning serial killer stories of the early seventies/late sixties "10 Rillington place" and "The Boston strangler".

"The new centurions" is something drastically different,which can't be compared to any of Fleischer's previous works in the field.Fleischer's pessimistic side which was in the latent state in "compulsion" or "10 Rillington Place" , surfaces here as ever.It depicts the life of a cop (although George C Scott's name comes first in the cast and credits,he is actually supporting )played by Stacy Keach (a far cry from Mike Hammer;it's curious to notice he sometimes wears a mustache).And it's a life nobody would like to live.Happiness seems to elude him ,his marriage is already on the rocks when the film begins (" a plumber makes more money than both of us ,a cop and a bilingual secretary" says his wife (Jane Alexander));his nights are a very sad routine in which he risks his neck at every corner of the street ;he wants to study law and to get back to college but his job leaves him no time and no energy and he soon gives up.

The documentary side and Fleischer's feeling for economy and sparseness precludes all forms of conventional sentimentality : it's sometimes so hard and the characters seem so resigned to their fate that the scene when Jane Alexander bursts into tears near the elevator seems almost like an anomaly;so does Scott's fit of rage when he learns that the owner charges 50 dollars a head for a bed in a slum.

The title hints at the Roman Empire when Keach explains to Scott that they are like them,men who are here to protect ,to mount guard and to get a bullet in their hide so the others can go on;and he adds "and it worked...at least for a time in the Empire".

SPOILERS There is at least a moment which will haunt you long after watching "the new centurions" :after a phone call to his former colleague,trying to sound casual ,Scott takes his gun and ...his life. You often wonder why ,when a person you know commit suicide ;Fleischer gives no explanation.The old cop seemed happy ,fishing and enjoying life with his grandsons.

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